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spontaneous comic.

"Pluto" by Urasawa

few days ago, am I stumbled on a manga. Basically bought on a whim, I was so surprised that I can not help him to recommend here. The first volume of the series took me from the first page to last perfect bound and only released briefly in between for me to appreciate the excellent quality of the narrative like a small child (even if I had known tribute to the highest craftsmanship arranged ups and downs of suspense as a child hardly). After I had been spat out of the finely calibrated emotional hurricane again before I realized who the creator of "Pluto" (a spinoff of AstroBoy) is. Naoki Urasawa is also responsible for another series that has impressed me several years ago deep in animated form. At that time I have brought around to the numerous episodes of "Monster" as some afternoons. The series was for me the Horror genre redefined. The subtle terror can hardly be described adequately. I look forward to more wonderful episodes of "Pluto".

greeting

Han

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revised comics.

cover for everyday heroes - Intermission

time for a change, which colorful. Composition and drawing to stake out only a rough framework, in which I played a bit with the colors.

regards, Han

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covers .2 hour comic

everyday hero page 60

Here is the glorious finale of everyday heroes, Chapter 3! After I had my vacation (I would call it, if I had not while still working on other projects, but still it has felt like a holiday ...) I finished, it goes on even here.

. PS: This site is dedicated to Oliver Mielke, the Edith-to-home-bringer. May the good karma flowing!

regards, Han

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Garrity column on Comixology

following (sometimes controversial) theses are from Shaenon K. Garrity , who runs a column on Comixology.com. I have roughly translated and shortened the points that interest me particularly highlighted. I would be interested in their sources, as some forecasts seem quite daring. However, it is also hard to disagree with me, I even so some of the trends observed. The question is, as always, not whether the developments are good or bad, but how we handle it.

• first Comic strips in newspapers are dead: There are comic strips, but only in web comic and anthology formats.
• second Monthly expenses are dead: The traditional American format will disappear from lack of quality and significant advantages over other forms of publication.
• third There is no fixed format: The Web's fault.
• 4th The readership is infinitely fragmented: There is a massive number of songs, but almost no one left to really knows everybody.
• 5th There is still a general canon: The consists of: Calvin & Hobbes, Bone, Naruto, Death Note, Watchmen.
• 6th Super heroes are no more comic characters: They populate movies, games, etc. The cartoon characters are human.
• 7th Manga has changed everything: However it is as an end to the hype, because mass is only in a fraction of class.
• 8th The boundary between readers and creative in is thin: Poste on DeviantArt, opens up a blog, put sketchbooks in communities and you'll get some publicity. On the Web, everyone is famous to fifteen people.
• 9th There are mostly girls: professionals as readers.
• 10th And they get better.

The full article can be read here: Post by Shaenon K. Garrity (Comixology.com) .

greetings

Han